{"id":552,"date":"2020-06-20T17:37:22","date_gmt":"2020-06-20T17:37:22","guid":{"rendered":"https:\/\/redfilosofia.es\/laboratorio\/?p=552"},"modified":"2020-06-21T16:04:03","modified_gmt":"2020-06-21T16:04:03","slug":"llamada-a-la-participacion-monografico-art-and-aesthetics-in-pandemic-time-the-polish-journal-of-aesthetics-no-61-2-2021","status":"publish","type":"post","link":"https:\/\/redfilosofia.es\/laboratorio\/2020\/06\/20\/llamada-a-la-participacion-monografico-art-and-aesthetics-in-pandemic-time-the-polish-journal-of-aesthetics-no-61-2-2021\/","title":{"rendered":"Llamada a la participaci\u00f3n. Monogr\u00e1fico: \u00abArt and Aesthetics in Pandemic Time\u00bb. The Polish Journal of Aesthetics N\u00ba 61 (2\/2021)"},"content":{"rendered":"\n

Deadline: <\/strong>31 de diciembre de 2020<\/p>\n\n\n\n

Editors: Ineta Kivle (University of Latvia, Riga), Dominika Czakon (Jagiellonian University in Krak\u00f3w), Natalia Anna Michna (Jagiellonian University in Krak\u00f3w). <\/p>\n\n\n\n

The crisis situation \nrelated to the advent of the pandemic has directly affected the world of\n culture, as broadly understood. This sphere of human activity reacted \nquickly and effectively to changes taking place in the social space, \nadapting itself to the current situation. The contemporary development \nof technology enables various artistic activities to be undertaken and \npresented in an attractive form of communication, drawing the attention \nof a mass audience. Art emerging in this way retains the ability to \nstimulate and strengthen the experiences and emotions of the audience, \naffecting its group sensitivity. It turns out that the relationship \nbetween art and contemporary communication techniques and technologies \nis of great interactive and integrative significance in the social \ndimension, shaping the culture-forming aspect of \u201cparticipatory \nsociety.\u201d The syntopia of social activity being realized here enables \nthe implementation of a sympathetic model of thinking and understanding \nthe world. The synoptic attitude, as the active meeting of many \nsubjects, leads to the reintegration of their individual identities and \ntheir expansion into a group dimension, thus including individuals in a \ncommunity of subjects similarly isolated in the crumbling world with \nwhich they are familiar.<\/p>\n\n\n\n

In the existing situation, we wish to invite you to a joint \ndiscussion on the topic of current changes in art, at the levels of both\n its creation and its reception. We believe that, due to new problems, \ntraditional functions of art are subject to interesting transformations \nin terms of research. A good example, heretofore left on the margins of \naesthetic and historical considerations, is the integrative function of \nart. We believe that, in the current situation, this function is \nexperiencing a renaissance. The integrative possibilities of art are \ngaining new, primary importance today, as keys to the survival of local,\n national, and supranational communities. Thus we propose \ninterdisciplinary and intersectional reflection on the status, \nfunctions, and transformations of art during the ongoing global \nepidemiological, ecological, and economic crisis.<\/p>\n\n\n\n

We encourage Authors to seek original perspectives on art, aesthetics\n and pandemic time. We are interested in articles that address this \ntopic in innovative ways, including both historical and theoretical \napproaches. We invite Authors from various research areas to submit \narticles related, but not limited, to the following questions and \nissues:<\/p>\n\n\n\n

– interdisciplinary analysis of artistic forms developed in pandemic time;<\/p>\n\n\n\n

– interdisciplinary analysis of the functions of art that are gaining significance during pandemic time;<\/p>\n\n\n\n

– how aesthetic experience changes during pandemic time;<\/p>\n\n\n\n

– the problem of traditional aesthetic and artistic values and categories in relation to art during pandemic time;<\/p>\n\n\n\n

– the role of the artist in the face of global epidemiological, ecological, and economic problems;<\/p>\n\n\n\n

– whether and how an active viewer of art during the period of pandemic becomes its creator\/performer;<\/p>\n\n\n\n

– characteristics of the problem of the integration of art with \nregard to: the object (of a work), the subject (creator and viewer), and\n scope of influence (the aesthetic experience);<\/p>\n\n\n\n

– philosophical and aesthetical approach to artistic communication of \u201cparticipatory society\u201d in situations of emergency<\/p>\n\n\n\n

– how new, \u201cpandemic\u201d (developed in pandemic time) artistic forms \nrefer to old tribal forms of expression related to creating a community \nof perception, experience, and taming of the world;<\/p>\n\n\n\n

– psychogenic, sociogenic, and culture-forming aspects of \u201cpandemic\u201d \nart; how the virtual reality in which art is created and presented \naffects the artistic and aesthetic message.<\/p>\n\n\n\n

We accept submissions in English only.<\/strong><\/p>\n\n\n\n

M\u00e1s informaci\u00f3n en: <\/strong> \/-\/journal_content\/56_INSTANCE_QVPUmCgE7dXG\/138618288\/145382258 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Deadline: 31 de diciembre de 2020 Editors: Ineta Kivle (University of Latvia, Riga), Dominika Czakon (Jagiellonian University in Krak\u00f3w), Natalia Anna Michna (Jagiellonian University in […]<\/p>\n","protected":false},"author":15,"featured_media":554,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[80],"tags":[74,73,75,7],"class_list":["post-552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actividades","tag-arte","tag-estetica","tag-experiencia","tag-politica"],"jetpack_featured_media_url":"https:\/\/redfilosofia.es\/laboratorio\/wp-content\/uploads\/sites\/7\/2020\/06\/2_arte-revista-polaca.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/posts\/552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/comments?post=552"}],"version-history":[{"count":1,"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/posts\/552\/revisions"}],"predecessor-version":[{"id":555,"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/posts\/552\/revisions\/555"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/media\/554"}],"wp:attachment":[{"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/media?parent=552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/categories?post=552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redfilosofia.es\/laboratorio\/wp-json\/wp\/v2\/tags?post=552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}